Necessary Objects
I haven’t figured out what it is about old doors that makes me so happy. I want to hang them on walls, from ceilings, lay them flat as tables and desks, prop them up anywhere they can be propped. I found this tall, narrow one leaning against a barn at a yard sale and felt that instant connection I’ve come to trust and rely on with both people and objects. I can’t remember how I got it home but those are the details, the mechanics, we forget in any love affair.
At first it wanted to be hung horizontally on the big wall over the little sofa but that meant making decisions about several pictures, mirrors, paper wreaths, and shutters currently claiming that space. It also meant painting the living room, not only to cover scatterings of holes, but because the door insisted on a different color. So the door looked around and decided the stair landing would do. I was relieved, though some day, it may get restless and command a different perspective.
When we make connections with objects, they tell us a lot about their histories, character, preferences. In no time, this door said that it used to open on a supply closet in a doorbell factory. When the factory closed, the door was salvaged and ended up in a garden shed next to a broken window where it suffered the elements for years. Now it’s in vogue; it knows it; and it wants what it wants: namely, to be admired, cared for, adorned, and positioned for viewing.
I am only too happy to oblige.
It’s mid-May and spring is here in earnest. Like the brisk green wind tossed with cherry blossoms, I too am restless. Since there is no visit to Paris or Venice in the immediate future, I have to make do with enjoying my new old door and moving furniture around in the living room, a completely satisfying activity.
Henri Matisse believed that objects commune in “sympathy” with each other. Respecting that sympathy is essential, so when I move a chair or angle the loveseat to face a different direction, my eye looks and my heart listens. The Miss Havisham chair relishes its new home by the fireplace; the platform rocker is delighted to look at the dining table. And everyone enjoys each other’s company.
It all started with the door, but spring may be the real impetus behind this dance of chairs and curtains and tables yearning for fresh perspectives. Sometimes this season lets us know that things have stayed too long in one place, and it’s time for a shake-up. “As within, so without,” the saying goes. Everything in me pronounces, “Yes. Indeed.”